Here we go again… Another camera I’d never heard of that I see listed somewhere. I go do my homework and learn a little something about it. I become smitten. I buy one (or in this case four). But this time was a little different, since all the examples I bought were non-functional, and I hadn’t a clue who might be able to repair them, or at what cost. I was, as they say, headed down a rabbit hole. Thankfully, this story has a happy ending, but it did take some effort to get there.
Continue reading…Wesley King
The Curious Case of the Non-Fitting Lens: Kodak Retina Aux Lenses
One of the challenging aspects of collecting and maintaining vintage cameras is the sheer lack of detailed historical technical information available for the vast majority of them. Many of the companies who made all this camera gear are long since gone, and virtually all of them who are still around have shifted their business models, often quite dramatically. That can make it a big challenge to figure-out how to solve weird problems that just shouldn’t be happening to start with. And such as it was for me recently.
Continue reading…Side-by-Side • Kodak HC-110: Dilution B vs. Dilution H
In this first of a new series of articles, we take a look at how, and to what extent, using two different common dilutions of Kodak’s HC-110 black and white developer impacts the resulting film images. Our novel approach to this series hopefully will make it extremely easy to see and identify the differences — an approach we intend to bring to a number of comparisons in the months ahead.
Continue reading…Review: Canon EOS Rebel G / 500N / “New” Kiss 135 (35mm) Film Camera
The Canon EOS Rebel G, as it’s known here in the United States, was the last film camera I ever bought new. (Outside the USA, it was called the Rebel 500N, and within Japan, the New Rebel Kiss.) It was the first camera I ever owned for which I had a true telephoto lens, and for that reason, it still holds a special place in my photographic heart. Since getting back into film photography, the Rebel G was dug out of the storage box it had been sitting in for over a decade, had its batteries replaced, film loaded, and was used anew. Was I as fond of it today as I was back in the day, now that I know so much more about photography? (Spoiler alert: Not really.)
Continue reading…Review: Kodak Retina (Nr. 117) 135 (35mm) Film Camera
My collection of film cameras now exceeds 60 different models, and a narrow majority of them use 135 (or “35mm”) film. Each and every one of those cameras owes part of its existence to one man: August Nagel. While the use of 35mm film stocks in still photography was not new, it was Dr. Nagel who saw the value of a daylight-loading film cassette that came factory-loaded with 35mm film, so that photographers wouldn’t have to load their own film into proprietary containers in a darkroom. Nagel’s approach became known as 135 roll film, and to align with the introduction of the film in 1934, Dr. Nagel designed a camera to use it: the Kodak Retina. It would eventually become a long and popular line of cameras that continued well past Dr. Nagel’s death, but the very first of them was the Kodak Retina Nr. 117 — “Nr.” (rather than “No.”) owing to its German origins.
Continue reading…Type A, Type B, and the Basics of Color Balance in Films
If you’re a user of vintage cameras, and you happen to read vintage camera manuals, you’ve likely encountered Kodak’s “film types” — nomenclature like “Type A” or “Type G” or similar indicators. If you look at today’s film stocks, however, you don’t see these film types noted. What do they mean, exactly? And do you need to care?
Continue reading…Rediscovering Home Movies: A Brownie Camera, and the FPP
“Load it! Shoot it! Flip it!” I’d heard those words so many times from Michael Raso and the Film Photography Project (FPP) gang on their regular podcast since August 2019, that a year later it had become engrained in my psyche. Raso was referring to his new Double 8 (I prefer to use the term Regular 8, but Standard 8 is also used) film offerings and scanning services, and while it piqued my interest a bit at first, it wasn’t until after a chance notice of a beautiful Regular 8mm Brownie Movie Camera on eBay that I finally decided to bite. What follows is a summary of what my experience was like, including mini-reviews of the 1951 version of the Brownie Movie Camera, and of the FPP’s processing and scanning service for movie film.
Continue reading…The Zone and Scale Focusing Joy of Viewfinder Cameras
When I first started to return to film photography, I sought to shoot with modern, professional gear that I only dreamt of using prior to the advent of digital photography — primarily medium format gear made in the 1990s and later. But when the pandemic started cranking-up, I began to embrace film cameras that not long ago I dismissed as too old and too fussy to bother with. Honestly, it was probably a combination of “retail therapy” and nostalgia for a (theoretically) simpler time that was responsible for driving this, but to my surprise, I discovered that there is both incredible enjoyment (not to mention technical mastery) to be gained from the experience, especially with simple, so-called viewfinder cameras.
Continue reading…Review: Zeiss Ikon Contax IIIa 135 (35mm) Film Camera
My film camera buying spree appears to be continuing unabated, especially with my growing interest in midcentury rangefinders and other 135 cameras. One of my recent attempts to expand my collection was a particularly beautiful Zeiss Ikon “color dial” Contax IIIa, a truly iconic camera that many consider to be one of the finest cameras made in its era, if not one of the finest of any era. Unfortunately, the story didn’t end as well as I’d hoped. And while I don’t normally review cameras after just one roll of film shot and thus little operational experience, this review will, of necessity, be an exception for reasons that will become clear.
Continue reading…Time Capsules: The Voyeuristic Joy of Found Film
I like shopping for classic cameras, I suppose — I must, given how many web sites I frequent, just seeing what I can find, and at what price point. So it was a few weeks back when I was on shopgoodwill.com, the online auction site for numerous Goodwill Industries chapters through the US and Canada. The site has myriad camera listings, but most of the merchandise is, candidly, not that desirable to me. Still, I look from time-to-time, which is how I found an interesting listing, for a not-so-interesting camera.
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