Last year, I surpassed the 200 camera mark in my film camera collection, and out of those, only one camera sported the name Nikon: My mother’s mid-1980s N2000 (known as the F-301 outside of North America), which I inherited when she passed a few years ago. It had been a gift to her from my father, and despite its simplicity, it was a little too much camera for her, and saw very little use. When I finally got around to using it, I came away relatively unimpressed. That was a few years ago, and while I need to give it a second chance, my sour opinion of it left me wondering why so many people are so enamored of Nikon cameras, and haven’t ever been able to shake the feeling that I was simply missing something. Recently, I seem to have gotten a glimpse of the reasons for all that Nikon Love among a certain subset of film camera enthusiasts.
Continue reading…February 2023
Review: Petri V VI (Petri V6) 135 (35mm) Film Camera
When you think of Japanese SLR camera makers from the film camera era, you probably think of Nikon, Canon, Pentax, and Minolta. Perhaps also Olympus, Yashica, Fuji, Ricoh, Mamiya, or Konica as well. Maybe it even stretches to the obscure, like Cosina or Chinon. But seemingly, almost nobody recognizes another Japanese company that made an interesting mark in the history books: Petri. Originally known as Kuribayashi, Petri was initially the name of a camera model, but later adopted by Kuribayashi as (ostensibly) a more market-friendly name for the company itself. In 2022 when I became enamored of 35mm SLRs and wanted to try pretty much anything that looked interesting, I saw, and purchased, a Petri 35mm camera, what I know as a Petri V VI, but often referred to as the V6, Petri Flex V6, Petri Penta V6, and other variations. After putting a couple of rolls through my beautiful example of the type, I decided it’s high time for a review.
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