When I returned to film photography, I have to confess that I came back as a traditional emulsion snob. By traditional, I mean the old stuff: Tri-X, Fomapan, HP5, and so on. What I wanted was authenticity, and I didn’t think that some engineered emulsion, with its controlled formation of silver halide salts (that means you, Delta and T-Max) was something I wanted to have anything to do with. Oh, I tried the modern stuff — and was disappointed by its overly pure, overly perfect contrast, tone and grain. It looked… digital. And the entire reason I was shooting film was to not be digital. All that may be how the story begins, but it’s not how it ends.
Continue reading…June 2021
Looking Good: Replacing Leather(ette) on Camera Bodies
Much of the world’s total supply of antique, vintage, or simply used film camera gear is at this point decades old. In fact, the newest film camera that I own, my Hasselblad 503CW, would this year (2021) be old enough to drink alcohol in my home state of Colorado (if it were a person), having been born manufactured back in 2000. And my oldest? It’s celebrating its 87th birthday this year. And much like their human counterparts, the years have not always been kind to film cameras. But like us, a little fashion advice (metaphorically speaking), or perhaps a minor little nip or tuck, can have some pleasing aesthetic results. Such is the case with refreshed leather (or leatherette) coverings.